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Entrada etiquetada ‘Punk’

DVD

Anarchy In Manchester – So It Goes

Granada TV 1977

Otras TVs

Anarchy In Manchester
So It Goes
Granada TV 1977

Rebroadcast On SKY ARTS 2014
Recorded and authored by Bandit999
PRO SHOT, PAL, 4/3
Authored w/ DVD Studio Pro
2 DVDs 6 Episodes
132 Minutes

Video: MPEG-2, 720 x 576, 4/3, 25 fps
Audio: AC3 2/0, 48 kHz, 160 kpbs
Bitrate: 9.52 Mbps

DVD 1

Episode 1
01 – John Cooper Clarke Intro
02 – Sex Pistols – Anarchy In The UK
03 – John Cooper Clarke – Majorca
04 – Buzzcocks – What Do I Get
05 – Malcolm McLaren – Interview
06 – Penetration – Don’t Dictate
07 – The Jam – Slow Down
08 – The Jam – Taking My Love

Episode 2
01 – John Cooper Clarke Intro
02 – The Stranglers – Something Better Change
03 – John Cooper Clarke – You’ll Never See A Nipple In The Daily Express
04 – Nick Lowe – Shake And Pop
05 – The Clash – Capital Radio
06 – The Clash – Janie Jones
07 – Ian Dury – The Busdrivers Prayer
08 – Elvis Costello – Lip Service

Episode 3
01 – John Cooper Clarke Intro
02 – Elvis Costello & The Attractions – I Don’t Want To Go To Chelsea
03 – Magazine – Motorcade
04 – Siouxsie And The Banshees – Make Up To Break Up
05 – Mink Deville – Little Girl
06 – Magazine – Shot By Both Sides

DVD 2

Episode 4
01 – John Cooper Clarke Intro
02 – The Pirates – I Can Tell
03 – Johnny Thunder & The Heartbreakers – Interview
04 – The Tom Robinson Band – 2-4-6-8-Motorway
05 – Iggy Pop – Interview
06 – Iggy Pop – The Passenger
07 – Iggy Pop – Lust For Life

Episode 5
01 – John Cooper Clarke Intro
02 – Elvis Costello & The Attractions – No Dancing
03 – Polystyrene – Interview
04 – The Jam – In The City
05 – The Jam – Round The World
06 – Elvis Costello & The Attractions – Watching The Detectives
07 – The Tom Robinson Band – Glad To Be Gay

Episode 6
01 – John Cooper Clarke Intro
02 – Steel Pulse – Macka Splaff
03 – XTC – Neon Shuffle
04 – Muddy Waters – The Blues Had A Baby
05 – The Clash – What’s My Name
06 – The Clash – Garageland

Enjoy and share
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Not For Sale – DVD Gratuito

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DVD

Punk Britannia: Post-punk 1978-1981, Episode 3 of 3 (English and Castilian subtitles) (REPOST)

BBC Documentary, First Broadcast: 15 June 2012

BBC

Punk Britannia
Post-punk (1978-1981)
Episode 3 of 3
BBC Documentary
First Broadcast: 15 June 2012

DVB-T Recording
Broadcast by BBC
PRO-SHOT, PAL, 16/9
Video files from “musky03” at punktorrents
Authored with DVD Studio Pro by kigonjiro
58.49 Minutes
English and Castilian subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 384 kpbs
Data bit: 4,88 Mbps

Punk had shown what it was against – now what was it for? In the wake of the Pistols’ demise a new generation of musicians would re-imagine the world they lived in through the music they made. Freed up by punk’s DIY ethos, a kaleidoscope of musical influences broke three chord conformity.

Public Image Limited allowed Johnny Rotten to become John Lydon the artist. In Manchester, Magazine would be first to record in the wake of the Pistols’ split, Mark E Smith made street poetry while Ian Curtis turned punk’s external rage into an existential drama. A raft of left-wing art school intellectuals like Gang of Four and Wire imbued post-punk with a sense of radical politics and conceptualism while the Pop Group infused funk with anti-capitalist sentiment in the early days of Thatcher. Flirting with fascism and violence, the working class Oi! movement tried to drag punk from the Kings Road into the heart of the East End whilst Anarcho punks Crass embarked on the most radical vision of any.

In a time beset by dread and tension perhaps the biggest paranoia was Mutually Assured Destruction essayed perfectly by Young Marble Giants’ Final Day. Released in the height of Thatcherism, Ghost Town by The Specials marked a parting of the post-punk waves. Some would remain avowedly uncommercial whilst others would explore pop as a new avenue in the new decade. The song that perhaps summed up post-punk’s journey was Orange Juice’s Rip It Up and Start Again.

With John Lydon, Howard Devoto, Mark E Smith, Peter Hook, Jerry Dammers, The Raincoats, Wire, Jah Wobble, Mark Stewart, Edwyn Collins, Young Marble Giants and many more.

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kigonjiro.com 2012

Not For Sale – DVD Gratuito

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DVD

Punk Britannia: Punk, 1976-1978, Episode 2 of 3 (English and Castilian subtitles) (REPOST)

BBC Documentary, First Broadcast: 08 June 2012

BBC

Punk Britannia
Punk 1976-1978
Episode 2 of 3
BBC Documentary
First Broadcast: 08 June 2012

DVB-T Recording
Broadcast by BBC
PRO-SHOT, PAL, 16/9
Video files from “musky03” at punktorrents
Authored with DVD Studio Pro by kigonjiro
58.49 Minutes
English and Castilian subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 384 kpbs
Data bit: 4,88 Mbps

Daydreaming England was about to be rudely awakened as punk emerged from the London underground scene. A nation dropped its dinner in its lap when the Sex Pistols swore on prime time television. Punk had finally found its enemy- the establishment. In Manchester, the Buzzcocks’ self-released Spiral Scratch was a clarion call for a do-it-yourself generation, while the Clash’s White Riot tour took punk’s message across Britain. Moral outrage followed the Pistols around the country, effectively outlawing punk – but there was one refuge for the music. Nestled in the wasteland of 70s Covent Garden, the Roxy was punk’s cathedral. Punk interlopers the Jam raised the bar for lyricism, challenging punk’s London elite.

Punk also began to extend its three-chord vocabulary through an alliance with reggae, memorably captured by the Clash on White Man in Hammersmith Palais. With their second single, God Save the Queen, the Pistols scored a direct hit at the establishment in summer ’77, but a disastrous PR stunt on a Thames barge would mark a turning point. The darker underbelly of the summer of ’77 would see race riots in Lewisham. This street turbulence was the backdrop for a rawer, working class sound. If the Pistols and the Clash had been the theory, a second wave led by Sham 69 was the reality.

By ’78 punk was becoming a costume – the very pop orthodoxy it had originally sought to destroy. For many punk ended when the Pistols split, beset by internal problems, following an abortive tour of the USA in January ’78. Those practitioners who would go on to enjoy sustained success sought to modify their sound to survive, such as Siouxsie Sioux. Punk had shown what it was against, now it was time to show what it was for in the post-punk era.

With John Lydon, Mick Jones, Siouxsie Sioux and Paul Weller.

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kigonjiro.com 2012

Not For Sale – DVD Gratuito

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