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DVD

When Albums Ruled The World – BBC Documentary (English & Castilian subtitles) DVD + MKV

First Broadcast: 08 February 2013

BBC

WhenAlbumsRuledTheWorld copy

How the album changed popular music for ever
between the mid 1960s and the late 1970s.

Como el album cambió para siempre la música popular
entre mediados de los 60s y finales de los 70s.

When Albums Ruled The World
BBC Documentary
First Broadcast: 08 February 2013

DVB-T Recording
Broadcast by BBC Four
PRO-SHOT, PAL, 16/9
Authored with DVD Studio Pro by kigonjiro
88.56 Minutes
English and Castilian subtitles
Subtitulos por Txomin Sorrigueta
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 224 kpbs
Data bit: 3,84 Mbps

Between the mid 1960s and the late 1970s, the long-playing record and the albums that graced its grooves changed popular music for ever. For the first time, musicians could escape the confines of the three-minute pop single and express themselves as never before across the expanded artistic canvas of the album. The LP allowed popular music become an art form – from the glorious artwork adorning gatefold sleeves, to the ideas and concepts that bound the songs together, to the unforgettable music itself.

Built on stratospheric sales of albums, these were the years when the music industry exploded to become bigger than Hollywood. From pop to rock, from country to soul, from jazz to punk, all of music embraced what ‘the album’ could offer. But with the collapse of vinyl sales at the end of the 70s and the arrival of new technologies and formats, the golden era of the album couldn’t last forever.

With contributions from Roger Taylor, Ray Manzarek, Noel Gallagher, Guy Garvey, Nile Rodgers, Grace Slick, Mike Oldfield, Slash and a host of others, this is the story of When Albums Ruled the World.

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kigonjiro.com 2013

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DVD

7 Edades del Rock, Capítulos 5 y 6 (subtítulos en castellano)(REPOST)

Capítulo 5: We Are The Champions, Capítulo 6: Left Of The Dial. BBC 2007. Con subtítulos en castellano

BBC

Capítulo 5: We Are The Champions (Stadium Rock 1965-1993)

We Are The Champions sigue el surgimiento de algunos de los más grande nombres del rock, entre ellos Queen, Bruce Springsteen, The Police y Dire Straits y muestra como, a través de eventos como el Live Aid y la progresión de la MTV, el rock logró influencia global en la cultura y en los politicos. La película termina a finales de los 90, con U2 cerrando esta era reinventando totalmente los grandes espectáculos de rock con tanto acierto que 15 años después las mayores giras de rock siguen siendo aún copias baratas de lo que ellos hicieron en su momento.

Datos técnicos:
BBC BROADCAST 2007
PRO SHOT – PAL – 16/9 – STEREO
DVB-S Recording, not reencoded
Captured by Joe Fish
Authored with DVD Studio Pro

Bit Rate: 3.70 – 4.02 Mbps
MPEG-2, 720 x 576, 16:9, 25 fps
Audio: MP2 Stereo, 48 kHz, 256 kbps
Duración:
Episodio 5: 59,07 minutos
Episodio 6: 58,57 minutos

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Capítulo 6: Left Of The Dial (Alternative Rock 1980-1994)

La revelión del rock alternativo en USA. Desde sus primeros días en el anonimato donde bandas como Black Flag inspiraron el Haztelo Tu Mismo del punk, Left Of The Dial traza la historia de la red de seguidores, clubs y fanzines que sostuvieron la escena y lanzaron las carreras de bandas como R.E.M., The Pixies y Hüsker Dü. La película ofrece una nueva mirada a la explosión de la escena en Seatle, que culmina con el éxito del “Nevermind” de Nirvana y la trágica pérdida de Kurt Cobain, un artista cuyo triunfo y tragedia continua proyectando una alargada sombra.

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kigonjiro.com 2010

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DVD

Frenesí En La Gran Ciudad: La Movida Madrileña (REPOSICION)

Documental de TVE. Dirigido por: Alejandro Caballero y Antonio Moreno Álvarez. La 2, TVE. Emitido el 5 de octubre de 2011.

TVE

Frenesí En La Gran Ciudad: La Movida Madrileña
Documental de TVE
Dirigido por: Alejandro Caballero y Antonio Moreno Álvarez
La 2, TVE. Emitido el 5 de octubre de 2011

DVB-T Broadcast by TVE2
Recorded with Topfield 5400
PRO SHOT, PAL, 16-9
Authored with DVD Studio Pro
158 minutos
Portada incluida

Video: MPEG-2, 720 x 576, 4/3, 25 fps
Audio: MP2 stereo, 48 kHz, 192 kpbs
Data bit: 3,94 Mbps

‘Frenesí en la gran ciudad (La movida madrileña)’ es un documental producido por TVE en el que a través de sus protagonistas conoceremos cómo vivió la ciudad de Madrid el paso de la década de los 70 a la de los 80.

Algunos de los más destacados integrantes de la movida, como Olvido Gara, Álvaro Urquijo, Ariel Rot, o Antonio Alvarado aportan sus testimonios sobre cómo vivieron aquellos excitantes años.

La capital despertó en esos años poco a poco a los nuevos sonidos, imágenes y actitudes vitales que ya protagonizaban los jóvenes de las principales ciudades de occidente. Cambios que coincidieron con el paso de una dictadura a un nuevo sistema de libertades.

Así se creó un escenario perfecto para el desarrollo de múltiples disciplinas artísticas, especialmente en el terreno de la música pop. Este crisol de novedades fue recogido y amplificado en principio por las emisoras de radio FM y después por TVE, que dedicó amplios espacios de su programación a cabeceras míticas que ilustraron con imágenes y sonidos lo que estaba ocurriendo.

Prólogo
Documental
Extra: Promo

Entrevistas: Olvido Gara «Alaska», Alejo Alberdi (Derribos Arias), Álvaro Urquijo (Los Secretos), Ana Curra (Alaska y los Pegamoides y Parálisis Permanente); el modisto Antonio Alvarado; Ariel Rot (Tequila); Bernardo Bonezzi (Los Zombies); el pintor «El Hortelano»; Enrique Sierra (Kaka de Luxe y Radio Futura); Fernando Márquez «El Zurdo» (de Kaka de Luxe, Paraíso, La Mode); Iñaki Fernández (Glutamato Yeyé); Jaime Urrutia (Ejecutivos Agresivos, Gabinete Caligari); Johnny Cifuentes (Burning); Juanma del Olmo (Los Elegantes); el locutor Julio Ruiz; el músico y periodista Moncho Alpuente; el fotógrafo Miguel Trillo; Loreto Antón; Nacho García Vega (Nacha Pop); Sabino Méndez (Loquillo y los Trogloditas),o Servando Caballar (de Aviador Dro)…

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kigonjiro.com 2011

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DVD

Steve Winwood: English Soul – BBC Documentary (English & Castilian subtitles) (REPOST)

First broadcast: 28.02.2011

BBC

Steve Winwood: English Soul
BBC Documentary
First broadcast: 28.02.2011

Broadcast by BBC Four
DVB-T Recording
PRO-SHOT, PAL, 16/9
Authored with DVD Studio Pro by kigonjiro
Castilian and English subtitles
59.29 Minutes
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 256 kpbs
Data bit: 4,37 Mbps

From childhood prodigy to veteran master,
Birmingham-born Steve Winwood’s extraordinary
career is like a map of the major changes in
British rock ‘n’ roll and rhythm and blues from
the 1960s to the present. This in-depth profile
traces that journey and reveals a master musician
blending Ray Charles and English hymnody into
a unique brand of English soul.

From the blues-boom-meets-beat-group chart
hits of the Spencer Davis Group, through the
psychedelic pop of early Traffic and into
Berkshire as Traffic become the first band to
‘get their heads together in a country cottage’,
then via a brief sojourn in supergroup Blind Faith
and back to Traffic as a jam band who conquer the
emerging American rock scene, Winwood’s first ten
years on the boards were extraordinary.

As the 80s dawned he reinvented himself as a
solo artist and became a major star in the US
with hits like Higher Love and Back in the High
Life. These days he’s back in arenas, touring
with old friend Eric Clapton.

Paul Bernay’s film blends extensive interviews
with Winwood in his Gloucestershire home and
film of Winwood’s first return to that Berkshire
cottage since 1969 with rare archive footage and
contributing interviews with Eric Clapton,
Paul Rodgers, Paul Jones, Paul Weller,
Muff Winwood, Dave Mason and more.

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kigonjiro.com 2012

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DVD

Punk Britannia: Post-punk 1978-1981, Episode 3 of 3 (English and Castilian subtitles) (REPOST)

BBC Documentary, First Broadcast: 15 June 2012

BBC

Punk Britannia
Post-punk (1978-1981)
Episode 3 of 3
BBC Documentary
First Broadcast: 15 June 2012

DVB-T Recording
Broadcast by BBC
PRO-SHOT, PAL, 16/9
Video files from «musky03» at punktorrents
Authored with DVD Studio Pro by kigonjiro
58.49 Minutes
English and Castilian subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 384 kpbs
Data bit: 4,88 Mbps

Punk had shown what it was against – now what was it for? In the wake of the Pistols’ demise a new generation of musicians would re-imagine the world they lived in through the music they made. Freed up by punk’s DIY ethos, a kaleidoscope of musical influences broke three chord conformity.

Public Image Limited allowed Johnny Rotten to become John Lydon the artist. In Manchester, Magazine would be first to record in the wake of the Pistols’ split, Mark E Smith made street poetry while Ian Curtis turned punk’s external rage into an existential drama. A raft of left-wing art school intellectuals like Gang of Four and Wire imbued post-punk with a sense of radical politics and conceptualism while the Pop Group infused funk with anti-capitalist sentiment in the early days of Thatcher. Flirting with fascism and violence, the working class Oi! movement tried to drag punk from the Kings Road into the heart of the East End whilst Anarcho punks Crass embarked on the most radical vision of any.

In a time beset by dread and tension perhaps the biggest paranoia was Mutually Assured Destruction essayed perfectly by Young Marble Giants’ Final Day. Released in the height of Thatcherism, Ghost Town by The Specials marked a parting of the post-punk waves. Some would remain avowedly uncommercial whilst others would explore pop as a new avenue in the new decade. The song that perhaps summed up post-punk’s journey was Orange Juice’s Rip It Up and Start Again.

With John Lydon, Howard Devoto, Mark E Smith, Peter Hook, Jerry Dammers, The Raincoats, Wire, Jah Wobble, Mark Stewart, Edwyn Collins, Young Marble Giants and many more.

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kigonjiro.com 2012

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DVD

Punk Britannia: Punk, 1976-1978, Episode 2 of 3 (English and Castilian subtitles) (REPOST)

BBC Documentary, First Broadcast: 08 June 2012

BBC

Punk Britannia
Punk 1976-1978
Episode 2 of 3
BBC Documentary
First Broadcast: 08 June 2012

DVB-T Recording
Broadcast by BBC
PRO-SHOT, PAL, 16/9
Video files from «musky03» at punktorrents
Authored with DVD Studio Pro by kigonjiro
58.49 Minutes
English and Castilian subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 384 kpbs
Data bit: 4,88 Mbps

Daydreaming England was about to be rudely awakened as punk emerged from the London underground scene. A nation dropped its dinner in its lap when the Sex Pistols swore on prime time television. Punk had finally found its enemy- the establishment. In Manchester, the Buzzcocks’ self-released Spiral Scratch was a clarion call for a do-it-yourself generation, while the Clash’s White Riot tour took punk’s message across Britain. Moral outrage followed the Pistols around the country, effectively outlawing punk – but there was one refuge for the music. Nestled in the wasteland of 70s Covent Garden, the Roxy was punk’s cathedral. Punk interlopers the Jam raised the bar for lyricism, challenging punk’s London elite.

Punk also began to extend its three-chord vocabulary through an alliance with reggae, memorably captured by the Clash on White Man in Hammersmith Palais. With their second single, God Save the Queen, the Pistols scored a direct hit at the establishment in summer ’77, but a disastrous PR stunt on a Thames barge would mark a turning point. The darker underbelly of the summer of ’77 would see race riots in Lewisham. This street turbulence was the backdrop for a rawer, working class sound. If the Pistols and the Clash had been the theory, a second wave led by Sham 69 was the reality.

By ’78 punk was becoming a costume – the very pop orthodoxy it had originally sought to destroy. For many punk ended when the Pistols split, beset by internal problems, following an abortive tour of the USA in January ’78. Those practitioners who would go on to enjoy sustained success sought to modify their sound to survive, such as Siouxsie Sioux. Punk had shown what it was against, now it was time to show what it was for in the post-punk era.

With John Lydon, Mick Jones, Siouxsie Sioux and Paul Weller.

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kigonjiro.com 2012

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DVD

Punk Britannia: Pre-Punk, 1972-1976, Episode 1 of 3 (English and Castilian subtitles) (REPOST)

BBC Documentary, First Broadcast: 01 June 2012

BBC

Punk Britannia
Pre-Punk 1972-1976
Episode 1 of 3
BBC Documentary
First Broadcast: 01 June 2012

DVB-T Recording
Broadcast by BBC
PRO-SHOT, PAL, 16/9
Video files from «musky03» at punktorrents
Authored with DVD Studio Pro by kigonjiro
58.49 Minutes
English and Castilian subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 stereo, 48 kHz, 384 kpbs
Data bit: 4,88 Mbps

Narrated by Peter Capaldi, this opener of a three-part documentary series in BBC FOUR’s celebrated ‘Britannia’ strand is scheduled to chime with the 35th anniversary of the Queen’s Silver Jubilee and the arrival of punk as national and then international music culture. The film explores the road to punk in Britain, which begins in the early 70s with a young generation already conscious that they have ‘missed the 60s party’ and are stuck in a Britain heading for economic woes and dwindling opportunities. Meanwhile the music of the day – prog and super rock – seems to ask not for their interest and involvement, but only their awe and their money.

But before the punk generation finally arises to have its say during 1976 come a group of pub rockers, a generation of bands sandwiched between 60s hippies and mid-70s punks who will help pave the way towards the short, sharp shock of punk, only to be elbowed aside by the emergence of the Sex Pistols, the Clash et al.

An unlikely cast of characters set the scene for punk in early 70s Britain. Reacting against overblown super rock of the day and the glam their younger sisters like on Top of the Pops, pub rock set the template for punk. Small venues, fast retro rock n roll and bags of attitude typified bands like Dr Feelgood, Ducks Deluxe, Kilburn and the High Roads and Eddie and the Hotrods. These bands engendered a small London scene which is sometimes forgotten and helped define the Pistols, the Clash and the Damned, both positively and negatively.

Featuring copious unseen archive footage and interviews with John Lydon, Paul Weller, Mick Jones, Wilko Johnson, Nick Lowe, Adam Ant, Brian James and many more.

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kigonjiro.com 2012

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DVD

Psychedelic Britannia – BBC Documentary

First Broadcast 23 October 2015

BBC

Psychedelic Britannia
BBC Documentary
First Broadcast 23 October 2015

Digital Recording
Broadcast by BBC Four
PRO-SHOT, PAL, 16/9
Authored w/DVD Studio Pro
60 Minutes
Artwork included
English subtitles

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: MP2 2.0, 48 kHz, 128 Kpbs

Documentary exploring the rise and fall of the most visionary period in British music history: five kaleidoscopic years between 1965 and 1970 when a handful of dreamers reimagined pop music.

When a generation of British R&B bands discovered LSD, conventions were questioned. From out of the bohemian underground and into the pop mainstream, the psychedelic era produced some of the most ground-breaking music ever made, pioneered by young improvising bands like Soft Machine and Pink Floyd, then quickly taken to the charts by the likes of The Beatles, Procol Harum, The Small Faces and The Moody Blues, even while being reimagined in the country by bucolic, folk-based artists like The Incredible String Band and Vashti Bunyan.

The film is narrated by Nigel Planer with contributions and freshly shot performances from artists who lived and breathed the psych revolution – Paul McCartney, Ginger Baker, Robert Wyatt, Roy Wood, The Zombies, Mike Heron, Vashti Bunyan, Joe Boyd, Gary Brooker, Arthur Brown, Kenney Jones, Barry Miles, The Pretty Things and The Moody Blues.

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kigonjiro.com 2017

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DVD

David Bowie: The Last Five Years (English subtitles)

BBC Documentary. First Broadcast: 7 January 2017

BBC

DavidBowieTheLastFiveYears copy

David Bowie: The Last Five Years
BBC Documentary
First Broadcast: 7 January 2017

Digital Recording
Broadcast by BBC Two
PRO-SHOT, PAL, 16/9
Authored with DVD Studio Pro
90 Minutes
English subtitles
Artwork included

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio: AC3 2.0, 48 kHz, 192 kpbs

There was nothing predictable about David Bowie. Everything was designed to intrigue, to challenge, to defy all expectations. But perhaps no period in David Bowie’s extraordinary career raised more fascination, more surprise, and more questions than the last five years. This is an intimate portrait of one of the defining artists of the twentieth and early twenty first centuries, told by the people who knew him best – his friends and artistic collaborators.

This film takes a detailed look at Bowie’s last albums, The Next Day and Blackstar, and his play Lazarus. In his final five years, Bowie not only began producing music again, but returned to the core and defining themes of his career. This film explores how Bowie was a far more consistent artist than many interpretations of his career would have us believe. It traces the core themes from his final works and relates them to his incredible back catalogue. His urge to communicate feelings of spirituality, alienation and fame underpin his greatest works from the 1960s to 2016. This is what lies at the heart of his success and appeal – music that deals with what it means to be human in a way that goes far beyond the normal palette of a rock star.

The film is not a comprehensive overview of his entire career, but an in-depth exploration of pivotal moments that show how the themes, the narrative and the approach is consistent – it is simply the palette that changes. The film includes every key member of the Next Day band, the Blackstar band and those who worked with him on the stage play Lazarus. In addition, old friends and colleagues are on hand to explore how the work of the last five years relates to Bowie’s back catalogue. And, as in David Bowie: Five Years, there is a wealth of unseen and rare archive footage.

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kigonjiro.com 2017

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DVD

Cuando Madrid Se Movía (80me Otra Vez)

Documental , 5 Junio 2014 (emisión)

TVE

CuandoMadridSeMovia copy

Cuando Madrid Se Movía
80me Otra Vez
Documental
5 Junio 2014 (emisión)

Emitido por La 1 de TVE
PRO-SHOT, PAL, 16/9
DVB-T Recording w/Topfield
Creado con DVD Studio Pro
62,17 Minutos

Video: MPEG-2, 720 x 576, 16/9, 25 fps
Audio 1: MP2 stereo, 48 kHz, 192 kpbs
Data bit: 3,63 Mbps

Jesús Ordovás, Jaime Urrutia (Gabinete Caligari), Loquillo,
Alejo Alberdi (Derribos Arias), Johnny Cifuentes (Burning)
Marité Campilongo (Rubí), Ñete (Nacha Pop) Ramoncín,
Manolo García, Mariskal Romero, Javier Andreu (La Frontera),
Toni Marmota (La Frontera y Porkis), Miguel Angel Arenas “Capi”,
Alberto García-Alix, Ouka Leele, David Summers, Nacho G. Vega (Nacha Pop), Miguel Trillo, Pep Perandones, Javier Ojeda (Danza Invisible), Servando Carvallar (DRO), Antón Reixa (Os Resentidos), Teo Cardalda (Golpes Bajos), Javier Hierro (Pecos), Montero Glez,
Alaska y Los Pegamoides, Kaka de Luxe, Paraiso, Derribos Arias, Nacha Pop, Elegantes, Parálisis Permanente, Ejecutivos Agresivos, Ramones, The Jam, Gabinete Caligari, Radio Futura, Mamá, Aviador Dro, Rubí y los Casinos, Burning, Zombies, Las Chinas, Secretos, Glutamato Yé Yé, Siniestro Total, Los Nikis, La Frontera, etc…

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kigonjiro.com 2014

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